There’s a certain mythology to Nashville — neon lights, packed honky tonks, and the promise that the next song you play could change everything. But our friend TimeSeven peers past the glow and into the shadows flickering behind it on new single “Lost in Nashville” Written after a late-night walk down Broadway, moving from one
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There’s something deliciously unhinged about dancing at the edge of the apocalypse, and Dusty Edinger knows it. On his latest single, “Welcome To Our Demise,” the drummer-turned-frontman wraps end-times anxiety in sun-soaked harmonies and power-pop polish, proving that existential dread goes down easier with a killer hook. Dusty Edinger is actually employing the “beautiful melodies/terrible
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There’s something undeniably magnetic about a band that sounds like it’s teetering on the edge of chaos but never actually falls apart. Trainwreck Boyfriend thrives in that sweet spot — where gritty honesty meets sharp songwriting and hooks sneak up on you just when you think the rails are about to give way. There’s a
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Piano/vocal man David Anthony Zee turns in a sublimely rendered set of old-school covers on his latest album AfterTime. Employing a delightfully simple piano-vocal-upright-drums format, Zee takes songs from the 1920s to the 1950s and skillfully crafts new versions full of understated mood, melody, and rhythm. AfterTime was produced by Noel Paul Stookey of Peter,
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