Flooding the speakers in a deluge of harmonies in “Valhalla.” Quietly stabbing away at the frail bones of silence in “High Dive” with a melodic pulsation as rich as a tropical sunset. Pushing us the edge of our seats with psychedelic subtleties more aligned with Bob Mould than Jerry Garcia in “Recursive” while sticking to
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Pitting the bassline against the percussion. Putting the vocal right in the middle of the madness that ensues. Leaving a rapper with only his wits to defend against the sonic assault. Complementing a hook with brutishness over a blushing pop accent. There are benefits to employing a suffocating master mix like that which you’ll find
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Pat Reilly’s debut EP Prince of the Night is an electronic pop album made up of reverberant synths and reflective lyrics. Created during the pandemic, the EP’s five tracks trace how Reilly feels about himself, his relationships, and the state of the world around him. Each song adds layers to the narrative of Reilly’s experiences.
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Loss, like shit, happens. The degree to which can vary drastically, from a quarter inexplicably missing from your pocket to the passing of a loved one. Regardless, we’re all going to experience it, and often. That HARLOE (aka Jessica Ashley Karpov) acknowledges this on the newest single from her recently-released sophomore EP, River Runs Dry,
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