Roskilde Festival should be on the radar of any adventurous indie music enthusiast. Long, sunny Scandinavian days welcomed 160,000 people to Roskilde, the medieval Viking town near Copenhagen. The 8-day non-profit festival, which is run by volunteers, attracted an eclectic mix of artists including a well-represented collection of indie artists. While its robust musical
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The xx: minimal, intimate, and up-close. I wondered how they would translate their sound—seemingly suited for an underground club or intimate bar—to Roskilde Festival’s biggest stage and the open air. Spoiler alert: They fared quite well. The London-based trio comprised of Romy Madley Croft, James Thomas Smith, and Oliver Sim took to the stage
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Whenever you befriend someone in a band and are about to hear them play for the first time, there is a small moment of all-consuming fear that they might be complete shit. In this case, my friend is Frederik (with whom I share a hallway at my dorm in Copenhagen) and the band is Fugleflugten .
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“Are you going to Roskilde this year?” As summer approaches in Denmark, this question is as common in daily life as a piece of rye bread is for lunch. With approximately 130,000 attendees and most of them Danish, Roskilde Festival attracts an astounding proportion of people relative to Denmark’s tiny population of 5 million.
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